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Collection of 61 prints by the Flemish engraver Pieter Fierens (ca. 1580-1636).

Like Thomas de Leu, Fierens left Antwerp for Paris in the early 17th century but maintained ties with his native city, bringing with him the Jesuit visual culture so dominant in Antwerp and ...

Published by: various publishers, Paris, ca. 1610

Avvenimenti amorosi di Psiche; Poema Eroico... Nuovamente arricchito di vaghi argomenti dal Clariss. Sig. Francesco Contarini.

Small 8vo. (8) ff, 171 [i.e. 175] pp (61-4 repeated in pagination), with engraved title and 8 full-page integral engraved plates. 18th century velum over boards with manuscript title on spine, all ...

, Venice, [Giambattista] Ciotti, 1617

Vero disegno, e dichiarazione dello stendardo reale preso al Gran Visir nella presente battaglia, e mandato alla santità di nostro signore papa Innocenzo ...

4to. 4 pp. With a large woodcut on the title-page. Bound in modern half vellum with papered boards using a red and black Greek liturgical print. Extremely rare description of the silk flag of ...

, Rome, Giovanni Francesco Buagni for Francesco Leone, 1691

Vitae et icones sultanorum Turcicorum, principum Persarum aliorumque illustrium heroum heroinarumque ab Osmane usque ad Mahometem II.

HOEFNAGEL’S MASTERFUL PORTRAITS OF SULTANS AND SULTANAS, SOME FINISHED IN (CONTEMPORARY?) COLOR. 4to. 5 ff., 356 (i.e. 353) pp, (5) pp. Engraved title page and 47 full-page portrait engravings ...

Published by: Theodor de Bry, Frankfurt, 1596

[The Tomb of Urban VIII].

“POTREBBE ESSERE LA PIÙ ANTICA TRADUZIONE DEL SEPOLCRO DI URBANO VIII…” (CIUFFA). Engraving, 65 x 39 cm to platemarks, on sheet 66 x 42 cm. Printed on laid, unwatermarked paper. Two ...

Published by: “Gio. Giacomo Rossi li stampa alla Pace all'Insegna di Parigi, Rome, after 1653?

[The Tomb of Urban VIII].

BERNINI UNCENSORED: THE EARLIEST PRINTED DEPICTION OF THE TOMB OF URBAN VIII (CIUFFA). Engraving, 65 x 39 cm to platemarks, on sheet 67.5 x 42.5 cm. Printed on laid paper, watermarked indistinctly ...

Published by: “Gio. Domenico Rossi li stampa in Navona all'Insegna di Parigi, Rome, ca. 1650

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